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Galerie Ulysses, Wien. Parole cinesi, Kunstmuseum, Bonn. 40 ladroni, Galerie Karin Bolz, Mulheim an der Ruhr, Germania.

Others, for example Suhr (2012) and Willerslev (2012) argue that it is precisely the way in which the camera differs from the human eye which allows for a mode of communication which transcends that of the written word. Bill Nichols (2007) identifies 6 distinct modes of representation (expository, poetic, observational, participatory, performative and reflexive). It is only more recently that scholars have begun to take more integrated approaches to the Visual, considering it as deeply enmeshed with sociality, performativity and experience ā examples include Anand Pandianās Reel World: An Anthropology of creation (2015) which, by considering Indian film sets, gives us an insight into what it feels like to inhabit the realm of cinema; or Tim Ingoldās edited volume Redrawing Anthropology (2011) which explores the connection between anthropological processes and visual material practices.]